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So, let us start with a few popular categorization methods. The most common one is probably the differentiation by the long distance 遠距離 and short distance 近距離 fighting styles. Shotokan is a good example of the long distance fighting system and Goju-ryu, on the other side, is of the short distance system. Asai ryu karate is based on the standard Shotokan, a long distance fighting method, with an addition of the techniques from a short distance fighting system; White Crane kung fu was incorporated by Master Tetsuhiko Asai. This categorization method is rather obvious and comparatively easy to grasp. I do not believe it needs further explanation on this categorization method.
Another popular categorization in karate is Shorin 松林system and Shorei 昭靈system. Shorin represents the system with the light and fast techniques and this is exemplified by kata such as Enpi, Kanku, Gankaku and Unsu. Shorei is, on the other hand, the system supposedly designed for the larger built karate-ka for the powerful movements and the slower techniques. Jion, Jutte and Sochin are the typical kata of Shorei style. This categorization has been explained by many other writers in the past. I have my doubts on the legitimacy of this categorization method but I will not touch on it in this article.
One other popular categorization in karate is Naha-te 那覇手 and Shuri-te 首里手. Naha and Shuri both indicate the particular regions of Okinawa where the different styles of karate were developed and practiced. Shotokan belongs to Shuri-te as our style came from the most popular Shuri-te style of Shorin-ryu 松林流. The most popular Naha-te styles are Goju-ryu and Uechi-ryu.
The categorization I wish to focus on in this article is called Internal System and External System. As far as I know this categorization method has not been explained too well to the Shotokan practitioners in the past. Among the Chinese martial arts this categorization method is as popular as the Northern Style and the Southern Style. The Internal System and the External System are written in kanji as 内家拳 and 外家拳 which literally means “inside house (or family) fist” and “outside house (family) fist”. Most of the practitioners now explain the meaning of “inside (family) house” as the internal workings of our body such as breathing and the mental aspect of a martial art. However, it originally meant “not staying with the family” or “not living in one’s house” but living in a Buddhist temple. Therefore, a famous Shaolin Temple kung fu (Photo below) and its derivative styles (literally hundreds of them) are called 外家拳, “outside house fist”.
Shaolin kung fu 少林拳法 refers to a collection of Chinese martial arts that claim affiliation with the Shaolin Monastery and the style generally emphasize long range techniques, quick advances and retreats, wide stances, kicking and leaping techniques, whirling circular blocks, quickness, agility, and aggressive attacks. Due to numerous Hong Kong movies, Shaolin Kung Fu is well known in the western world. However, there seems to be a lot of misconceptions and false beliefs about this fighting style. I suggest that the readers will learn more about it by reading the Wikipedia page:http://en.wikipedia.org/wiki/Shaolin_Kung_Fu
The other group, “inside (family) house” or staying with the family means that a practitioner is not a professional monk. This is a group of the fighting methods that are not linked to the Shaolin Monastery. The famous three styles of the Internal System are Tai chi Chuan 太極拳, Xing Yi Quan 形意拳 and Ba Gua Zhang 八卦掌. They are classified as “inside house” fist.
Tai Chi Chuan (photo left) is a slow-motion and meditative exercise for relaxation, health and to a lesser degree self-defense. Tai Chi has gained enormous popularity throughout the world for its health benefits. In Chinese philosophy Tai Chi means the ultimate source and limit of reality, from which spring yin and yang and all of creation.
There are many different styles of Tai Chi from a popular slow motion style mainly for a relaxation and health purpose to a style that has some explosive moves that is better fit for self-defense training. To learn more about Tai Chi Chuan check the Wikipedia page here:
http://en.wikipedia.org/wiki/T’ai_chi_ch’uan
Xing Yi Quan or Hsing I Chuan (photo below) may be a lesser known Internal System or 内家拳 to the karate world but it is one of the best known internal martial arts and is recognized as the most effective fighting style. Xing Yi means “Shape Mind”, and Quan means “Fist”. The name derives from the style’s imitation of the movements and inner characteristics of twelve animals (dragon, tiger, eagle, bear, chicken, hawk, horse, monkey, snake, phoenix, swallow and alligator). The style was created by Marshal Yeuh Fei, a famous general of the Chinese Song Dynasty. One of the purposes of Xingyiquan training, like Taijiquan is aimed to improve Qi or Ki circulation in the body and to maintain health. The training is supposed to build up a level of internal Qi and this leads to the strengthening of both the physical body and the mental body.
For more information on Xing Yi Quan read the chapter in Wikipedia:http://en.wikipedia.org/wiki/Xing_Yi_Quan
Ba Gua Zhang is one of the three orthodox “internal” styles and the name literally translates to Eight Trigrams Palm. These trigrams are symbols which are used to represent all of the natural phenomena as described in the ancient Chinese text of divination, the Book of Changes (Yi Jing). Zhang means palm as Ba Gua Zhang emphasizes the use of the open hand in preference to the closed fist. Ba Gua Zhang is based on the theory of continuously changing in response to the situation at hand in order to overcome an opponent with the circular and smooth skill rather than brute force. Its embusen is very unique as it is built on complex circular lines and the techniques are delivered not to the direction of the moves but mainly to the center of a circle or a side of a performer (photo right). I personally like this style as its foot work is based on normal walking steps which I really think makes sense. The performer walks with fast steps in circular lines and deliver the techniques while he is “walking”.
To learn more about Ba Gua or Pa-kua, read the chapter in Wikipedia:http://en.wikipedia.org/wiki/Baguazhang
Also, there are many good video clips of Ba Gua kata performance by some elder masters. Here is a link to my favorite Ba Gua kata called “The old 8 mother palm” performed by Master Sun: http://www.youtube.com/watch?v=n8agvbyMDkU
OK these are all Chinese style martial arts so you may ask “What is the relationship to our karate? “ We need to look at the other interpretation of Internal System and External System. You will see the relationship as we go over the key points of the Internal and External systems according to the second interpretation. I am aware each martial art and karate style has a characteristic of all the categories and the categorization including Internal and External System method any categorization does not clearly divide the styles. By learning the categories and the characteristics I wish to present the general nature of Shotokan and to show the whole perspective so that the readers can understand where our style sits. With this exercise I hope we can identify the strength of Shotokan as well as the possible areas where it is lacking. The ultimate goal of this article is the knowledge and the better understanding of Shotokan karate and the possible improvement in training as the knowledge would, hopefully, reflect in the training menu.
Let us start with Internal System or styles. This system’s focus is on the practice of such elements as awareness of the spirit, mind, qi (breath, or energy flow) and the use of relaxed leverage rather than brutal muscular tension. While the principles that distinguish internal styles from the external were described at least as early as the 18th century.
Components of internal training includes stance training, stretching and strengthening of muscles, as well as on empty hand and weapon forms. In addition to the solo practice of the forms, many internal styles have basic two-person training, such as pushing hands. A notable characteristic of internal styles is that the forms are generally performed at a slow or normal pace. This is thought to improve coordination and balance by increasing the work load by moving slowly in low stances, and to require the practitioners to pay close attention to their whole body and its weight as they perform a technique. In some styles, for example Chen style of Tai Chi and Ba Gua, there are forms that include sudden outbursts of explosive movements. At an advanced level, the techniques are performed quickly. The ultimate goal is to learn to manage and control the entire body in every movement keeping relaxed with deep, controlled breathing, and to coordinate the body movements and the breathing accurately while maintaining perfect balance.
Let’s look at External styles or System next. External System is characterized by fast and explosive movements. Its focus is on physical strength and agility. External System includes both the traditional styles focusing on application and actual fighting, as well as the modern styles adapted for competition. Shaolin quan have many Wushu (martial arts) forms both with and without weapons that include the aerial techniques and explosive attacks. External styles begin with a focus on muscular power, speed and application. They generally integrate their qigong (Ki training) aspects in advanced training, after the excellent physical level has been reached.
From these definitions to which group do you think that Shotokan belongs? I guess the answer is easy. Shotokan definitely has many characteristics of the External System. By learning more about the characteristics of the other system, we can identify the area where Shotokan may be lacking. I hope you can make your karate training more comprehensive by adding some exercises to supplement the missing area. So, where are the areas in Shotokan that are possibly missing? They are probably Ki or Qi training, the breathing exercises and the softer movements. Can you identify if any of these may be missing from your training syllabus?
For the breathing training Hangetsu is an excellent kata through which you can learn to coordinate the kata techniques with breathing. However, you may complain that this is the only kata that was designed for such training in Shotokan. You are correct about this, but once you learn the breathing training idea of this kata, you can apply it to any kata you may know. The best kata to practice the breathing method from the JKA kata line up may be Jion, Jutte, Nijushiho, Meikyo, Sochin to name a few. Regarding the breathing exercise and method, I have written an article on this subject so you are welcome to refer to that article which can be found earlier in this same blog.
One other training that I consider missing in the standard Shotokan syllabus is Ki or Chi training. This is an important subject that needs to be understood by all the senior karate practitioners. It is also a deep subject that requires a lot of explanation. I also have written about this subject previously (What is “Ki”? and Ki exchange with a tree). If you are interested in the subject I suggest that you will read those articles that can be found in this blog. One more thing I wish to call your attention here, is that deep breathing is closely linked and is critically necessary to Ki training and exercise. Even if you do not understand anything about Ki, when you do your deep breathing exercise, believe it or not, you would be strengthening your Ki at the same time.
As Asai sensei introduced a short distance fighting method to the standard Shotokan karate to make it more effective, you can add the exercises of the Internal System to your Shotokan training syllabus. By doing so, you will be expanding your karate system beyond the standard Shotokan into something more comprehensive that you can call an Internal and External System. I hope this article has raised enough interest in the readers and that you will go out of the box and consider to invest some time and energy to make your karate “better”.
by Shihan Yokota
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In the #47 issue (May ’96) of Shotokan Karate Magazine, late Steve Cattle wrote an article on this kata, Hangetsu. It was a needed and educational article. The title was “Hangetsu the neglected kata” where he pointed out that this kata was most unpopular. He claimed, “I feel it is a very neglected kata, generally because of the difficulty in performing the turns, the stance and its lack of beauty”. He concluded that the biggest reason why this kata is unpopular to the difficulty of turns and its stance, Hangetsu dachi. “The difficulty is in the turn, which is why I think it is neglected in competition as well as the actual stance difficulty”. I agree with most of his claims but I am afraid he has missed some key points. If you investigate the origin of this kata, you will discover the hidden history and the deep mysteries behind this unique kata.
Even though Shuri-te and Naha-te do not share the same kata, Hangetsu (Seisan/Seishan) is one exception. This kata is found in almost all styles including Wado, Shito, Goju, Uechi, Shorin, Ryuei, etc. I will attempt to put the facts together and make necessary comparisons to come up with the answers to many questions. By sharing those findings, I hope the readers will come to a new appreciation and understanding when he/she performs this unique and valuable kata.
There is another article that is definitely worth reading is found in the issue #49 (Nov ‘96). The title is “Inside Tension Stances” and the sub title, “Sanchin-dachi, Neko-ashi-dachi, Hangetsu-dachi” by John Cheetham, the chief editor of this magazine. It is a 3 page article explaining whata those inside tension stances are and how they are constructed. It touches the subject that is not frequently touched and I recommend all Shotokan practitioners to read it if they have not. Unfortunately, the detailed information of Hangetsu dachi and it s very uniqueness were not mentioned or described in this article. However, I can not blame the author at all. He probably has a set of all karate textbooks such as Dynamic Karate, Karate-do Kyohan and Best Karate, but he can find only the steps of Hangetsu kata and not much else. In fact, we can find very little information on how to do this kata properly or on the details of Hangetsu dachi. The author wrote, “ – hangetsu dachi is described in most books and by most instructors as a longer version of sanchin dachi with all the same points as sanchin.” That is how it skips the detailed description of Hangetsu dachi. I will attempt to bring out the hidden facts from the history and the comparison of this kata with the other Ryuha (styles) to fill the gap in this article. (read more...)
Shihan Yokota has published numerous articles and books:
The nunchaku (ヌンチャクin Japanese and 雙節棍in Chinese) is a traditional weapon of the Kobudo and consists of two sticks connected with a short chain or rope. I do not believe further introduction of Nunchaku is necessary as it became very popular among us by the Kung Fu movies in 70’s stared by Bruce Lee.
Out of a dozen or so different kinds of Okinawan Kobudo weapons such as Nunchaku, Sai and Tonfa, Nunchaku is most popular or known by the public. Less known factor is that Nunchaku can produce the most dynamic and versatile techniques among the Kobudo weapons due to its construction of having two sticks joined by a chain or a rope. The quick swings and striking motions are very sexy and many people remember the fight scenes of Bruce Lee. One can spin Tonfa pretty fast but it cannot beat the speed of Nunchaku. Sai can be a deadly weapon with its sharp end as it can spear through just about any protectors, but the destructive power of Nunchaku at a full impact of said to be over 500kg is far greater than Sai or Tonfa could produce. Not only it is fast and destructive but also it has another very exciting characteristic; flexibility of two sections. I am not saying Nunchaku is a better weapon than Sai, Tonfa or other Kobudo weapons. Just as one cannot say a certain style of karate is better than another, different weapons have their own particular uses and advantages thus cannot be compared by a simple set of observations. It is very unfortunate that modern day Shotokan (at least from what I know of) has dropped Kobudo from its regular training. I do not know the situation regarding this subject in other karate styles such as Shito-ryu, Goju-ryu and Wado-ryu, so I will discuss this subject only referring to Shotokan style organizations. There was a justifiable reason (at least then) why Kobudo was dropped but I will not go into this historic aspect of karate even though it is a very interesting subject. What I want to mention here today is that karate definitely lost a very effective and useful training tools when the masters decided to drop Kobudo from its regular syllabus. I do not think they were aware at that time of the seriousness and the amount of handicap and disadvantage this omission would bring. Shotokan style now is said to be very linear and lacks circular movements.
However, this claim is not true as one can observe the kata like (read more...)
Shihan Yokota has published numerous articles and books:
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